Together, the tomes meticulously reconstruct the core elements of Albers’s famous color course, which he developed over a forty-year period in collaboration with his students at the Bauhaus, Black Mountain College, and finally Yale University. They contain a poetic, lilting text that is studded with aphorisms and plates of mostly abstract images-color experiments accompanied by instructions on how to understand the effects that they demonstrate. THE LAVISH NEW EDITION of Josef Albers’s Interaction of Color, first published in 1963, arrives in two cloth-covered volumes of blue and green (or, some might say, green and yellow). A celebration of the longevity and unique authority of Alberss contribution, this landmark edition will find new audiences in studios and classrooms around the world.Josef Albers, Interaction of Color: New Complete Edition (New Haven: Yale University Press, 2009). With over a quarter of a million copies sold in its various editions since 1963, Interaction of Color remains an essential resource on color, as pioneering today as when Albers first created it.įifty years after Interactions initial publication, this new edition presents a significantly expanded selection of close to sixty color studies alongside Alberss original text, demonstrating such principles as color relativity, intensity, and temperature vibrating and vanishing boundaries and the illusion of transparency and reversed grounds. Originally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since.
Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Alberss singular explanation of complex color theory principles. Josef Alberss Interaction of Color is a masterwork in art education.
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